Sometime before his death at the Battle of Sandal on the 30th December 1460, Richard Duke of York, Lord of the Manor of Wakefield, granted permission to build a chapel of ease at Luddenden and made gifts of timber and stone towards it.
In 1496 a licence for the celebration of the Holy Eucharist was issued by Thomas Archbishop of York. The chapel was to serve the communities of Midgley and Warley with the laity maintaining both priest and building. They also had to attend the church at Halifax for main feasts, unless the weather was inclement and for all other services.
During 1535 dispensations were obtained from Archbishop Cranmer and Henry VIII to have the chapel consecrated, but delays occurred and the Reformation intervened. It is most likely that this first building was demolished.
A painting of the second building suggests that it was built in the mid-Elizabethan period. Certainly a building on these lines existed in 1599, as it is depicted on a map of that date. King James I in 1624 was petitioned by the inhabitants of Midgley, Royellshedd, Luddinghill and Longbottom and the parcell of the village of Warley in the Parish of Halifax, to have the chapel consecrated.
This was granted on the 21st May 1624 at the Royal Court of Greenwich. The consecration took place on the 5th August the same year. Consecration meant that the chapel of ease became a parochial chapel in which baptisms, weddings and burials could be carried out.
During the 18th century a tower was added to the West End in a revived Gothic style. By 1804 the building was said to be in a poor state and it was decided to demolish it and rebuild. The only fabric surviving from this building are some window mullions incorporated into the interior Nave walls of the present building, and also 3 human mask corbels set into the West boundary of the churchyard.
The foundation stone for the present building was laid on the 14th March 1816 and the church was completed in 1817. It was designed by the notable Leeds architect Thomas Taylor in a Gothic style. It had a barn-like interior with box pews, galleries, central three-decker pulpit and a small square apse at the East End, giving the atmosphere of a preaching house.
Alterations were carries out in 1866 to reduce this bareness by the addition of a Chancel, new window tracery and stained glass in the South Nave, false ceiling, font and pulpit. The Chancel was extended in 1910.